Autoscoreaudiolib × video

This is the whole integration.

Your platform understands the footage — cuts, pacing, mood — far better than we ever could. What it can’t do is legally license commercial music inside an automated pipeline. That’s the whole reason audiolib exists: one API call, cleared music, done. It took us about this much code to plug it into this showcase.

Get a key at audiolib.ai, keep it server-side, and call the endpoint:

const res = await fetch("https://api.audiolib.ai/v1/audio", {
  method: "POST",
  headers: {
    Authorization: `Bearer ${process.env.AUDIOLIB_API_KEY}`,
    "Content-Type": "application/json",
  },
  body: JSON.stringify({ library: "audio.cinematic" }),
});

const { data } = await res.json();
// data.title, data.url, data.duration_sec

A track is rarely exactly as long as your video, so keep pulling and crossfading until it is. This is the actual function this showcase uses:

// Keep pulling tracks and crossfading them until they cover targetDurationSec.
// audiolib fills the duration — you own mixing, sync, and the final render.
async function planAudioBed(library, targetDurationSec, crossfadeSec = 2.5) {
  const tracks = [];
  let coveredSec = 0;

  while (coveredSec < targetDurationSec) {
    const track = await fetchTrack(library); // POST /v1/audio
    tracks.push(track);
    coveredSec += track.duration_sec - (tracks.length > 1 ? crossfadeSec : 0);
  }

  return tracks; // then: crossfade, trim to length, fade out. Time-fill only.
}

audiolib supplies

Cleared music, picked by mood
Enough tracks to fill any duration

you own

Mixing under your original audio
Any sync to cuts, beats, or scenes, and the final render

We don’t do frame-sync, stems, or per-shot generation. Aligning pre-made tracks to pre-made footage is a false problem — we don’t attempt it, and you shouldn’t need us to.